Abstract:
This dissertation intends to develop an analysis of the importance of the image for the Electronic Churches through the Televise Media, as well as, demonstrate through their analysis that the projection through television recreates and establishes a new space of conflict among religions, the virtual sacred space, as a result of narratives of images in movement. This way, the Electronic Church starts to stimulate not only a televise habitus of grounding through the virtual space, as well as, participates in the construction of identities and education among the audience.
