Resumo:
A reading of the process of construction of the theology in Rubem Alves, in his confrontation
with the science and with the institutional structure of the theological orthodoxy, based in his
biography and in his emphasis in the body, in the imagination and in the language. The first part
presents biographical and bibliographical aspects of Rubem Alves, placing Rubem Alves'
thought in time and space. The second part brings the critic of Rubem Alves to the idea of the
theology to be science of the divine and to arrest the sacred. The knowledge of the Absolute is
beyond the limits of the human understanding. The same critic is driven to the religious institution
and theologians that are granted the representatives' of God title. The third part presents the
main foundations that constitute Rubem Alves' theology: the emphasis of the body, the creation
of sense universes mediated by the language, the creative force of the imagination and the religion
as web of symbols that express the victory of the values in spite of an oppressive reality.
The fourth part brings a reading of three texts of Rubem Alves that approach the theme of the
theology. The author presents the theology as something intimately linked to the biography, to
the history and the search for sense references. The theology is the speech of the hope for a new
organization of the reality. Through the action of counting stories, the theology becomes an activity
capable to question the established reality, capable to serve 'appetizers of the kingdom of
God', capable to wake up the love, by the proclamation of their absences, by the nostalgia and
the hope for a new order of the things, by games and smiles. The last part contemplates critically
concerning Rubem Alves' theological thought and it searches questions that such thought
could evoke. It contains with an abbreviation reflection concerning the practical theology and of
some practical perspectives that Rubem Alves' thought can supply the theological walk.