Resumo:
This dissertation proposes an analysis of the sacred musical work by Porto
Alegre composer Léo Schneider (1910-1978) based on a selection of his major sacred
compositions. It emphasizes the uniqueness of Schneider s esthetic project and its
possibilities as a tool for religious education.
The first part of the research introduces Leo Schneider s personal history, from
his family background to his formal and musical education, pointing out the
environment in which he lived and the cultural, social and political background of his
time. Musical aspects of the major Brazilian composers of his time and the international
musical scenario of the period will also be taken into consideration.
The focus is on sacred compositions of Schneider s time through a parallel
between his work and that of his contemporaries, but the research also provides an
understanding of his work within the context of protestant communities, especially
Lutheran.
The second part of the dissertation addresses the influence of Martin Luther s
ideas on Leo Schneider s life and work, particularly the reformer s principles towards
the meaning and the use of music in the church.
The third part of the research analyzes five of Schneider s major sacred
compositions, taking into account their musical and literary aspects so as to draw
pedagogic connections in the fields of music, theology and religious education, stressing
out the practical side of the composer, a diligent and creative artist at the service of the
Gospel teaching through music.
